Japanese Cinema Eclectics

2006/09/13 水曜日

Japanese Cinema EclecticsJapanese Cinema Eclectics

Open: 00:00:00 | Start: 00:00 - 23:59

SuperDeluxe

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〜日本映画の岐路に捧げるシリーズ〜
ドナルド・リッチーとスーパーデラックスがお届けするニューフィルム・シリーズの第四回目。
Sponsored by Institute of Contemporary Japanese Studies (TUJ)
Stirrings from the Underground
Early Postwar Japanese Experimental Films. From the archives of Image Forum.
* 猫と少年 ドナルド・リッチー/16ミリ/3分/1963
* KIRI 萩原朔美/16ミリ/8分/1971
* へそと原爆 細江英公/16ミリ/15分/1960
* トマトケチャップ皇帝 寺山修司/16ミリ/25分/1970
* ひなのかげ 高林陽一/16ミリ/20分/1966
午後11時以降入場無料!

Japanese Cinema Eclectics
〜日本映画の岐路に捧げるシリーズ〜
https://www.tuj.ac.jp/newsite/main/news/specialevents/events_2006/20060913_icjs.html
ドナルド・リッチーとスーパーデラックスがお届けするニューフィルム・シリーズの第四回目。
Sponsored by Institute of Contemporary Japanese Studies (TUJ)
9月13日水曜日@ SuperDeluxe 地図
スーパー・デラックス
106-0031東京都 港区 西麻布3.1.25 B1F
T: 03.5412.0515 | F: 03.5412.0516
開場 19:00 | 上演 20:00 | 1500円

A multi-part series devoted to unexplored tangents of the Japanese film
Curated by Donald Richie
Sponsored by Institute of Contemporary Japanese Studies (TUJ)
Stirrings from the Underground
Early Postwar Japanese Experimental Films. From the archives of Image Forum.
* Boy with Cat (Neko to Shonen), Donald Richie, 1963, 3mins.
* Mist (Kiri), Sakumi Hagiwara, 1971, 8mins.
* Navel and A-bomb (Heso to Genbaku), Hosoe Eiko, 1960, 15mins.
* Emperor Tomato Ketchup (Tomato-Kechupu Kotei), Shuji Terayama, 1970, 25mins.
* The Shadow of a Doll (Hina no Kage), Yoichi Takabayashi, 1966, 20mins.
free entrance after 11 pm!

Japanese Cinema Eclectics
A multi-part series devoted to unexplored tangents of the Japanese film
Curated by Donald Richie
Sponsored by Institute of Contemporary Japanese Studies (TUJ)
Sep.13th (Wed.) at SuperDeluxe MAP
B1F 3.1.25 Nishi Azabu, Minato-ku, Tokyo 106-0031, Japan
T: 03.5412.0515 | F: 03.5412.0516
open 19:00 | start 20:00 | 1500 yen
"Japanese Cinema Eclectics"
-----------------------------------------------------------
https://www.tuj.ac.jp/newsite/main/news/specialevents/events_2006/20060913_icjs.html
This monthly series will feature relatively unknown but important Japanese avant garde films selected by Donald Richie, the former Curator of Film at the New York Museum of Modern Art in New York (1969-1973), and a renowned authority on Japanese film.
Donald Richie came to Japan in 1947 as feature writer for the Pacific Stars and Stripes.
After the end of the Occupation, he became film critic for The Japan Times and still continues with that paper as Arts Critic.
During the following years he wrote a number of books, including The Films of Akira Kurosawa (1965); Ozu (1974), and One Hundred Years of Japanese Film (2002).
In addition, he has written over forty books about the country in which he has been resident for nearly sixty years.
These include: The Inland Sea (1971), Japanese Portraits (1991), and his latest work, The Japan Journals: 1947-2004.
From 1968 to 1973 he was Curator of Film at the New York Museum of Modern Art.
Named by TIME magazine,"the dean of Japan's arts critics," he is regarded as the preeminent authority on Japanese film.
Susan Sontag has said of him "Donald Richie writes about Japan with an unrivaled range, acuity, and wit."
* Contact Information
Temple University, Japan Campus
Institute of Contemporary Japanese Studies
Address : 2-8-12 Minami Azabu, Minato-ku, Tokyo 106-0047
Tel : 03-5441-9800 ext.709 (or 0120-86-1026)
E-mail : icjs@tuj.ac.jp
Website : http://www.tuj.ac.jp/newsite/main/index.html

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