Wait Until Dark

2017/06/12 月曜日

Wait Until DarkWait Until Dark

Open: 19:30:00 | Start: 20:00 - 23:59

SuperDeluxe

カテゴリーはないようです

予約する/Reserve

出演:
■ 灰野敬二
■ Giovanni Di Domenico
■ 石橋英子
■ Joe Talia

灰野敬二
![/sdslx/161120-Keiji-Haino.jpg](/sdlx/161120-Keiji-Haino.jpg)
1952年5月3日千葉県生まれ。アントナン・アルトーに触発され演劇を志すが、ザ・ドアーズに遭遇し音楽に転向。ブラインド・レモン・ジェファーソンをはじめとする初期ブルースのほか、ヨーロッパ中世音楽から内外の歌謡曲まで幅広い音楽を検証し吸収。1970年、エドガー・アラン・ポーの詩から名を取ったグループ「ロスト・アラーフ」にヴォーカリストとして加入。また、ソロで自宅録音による音源制作を開始、ギター、パーカッションを独習する。1978年にロックバンド「不失者」を結成。1983年から87年にかけて療養のため活動休止。1988年に復帰して以来、ソロのほか不失者、滲有無、哀秘謡、Vajra、サンヘドリン、静寂、なぞらない、The Hardy Rocksなどのグループ、experimental mixture名義でのDJ、他ジャンルとのコラボレーションなど多様な形態で国際的に活動を展開。ギター、パーカッション、ハーディ・ガーディ、各種管弦楽器、各地の民間楽器、DJ機器などの性能を独自の演奏技術で極限まで引き出しパフォーマンスを行なう。170点を超える音源を発表し、確認されただけでも1500回以上のライブ・パフォーマンスを行なっている。
[www.fushitsusha.com](http://www.fushitsusha.com)
[poisonpie.com/sounds/haino/](http://poisonpie.com/sounds/haino/)
[soundcloud.com/experimedia](https://soundcloud.com/experimedia/keiji-haino-jim-orourke-oren-1)

ジョヴァンニ・ディ・ドメニコ
![/sdlx/121112-GiovanniDiDomenico.jpg](/sdlx/121112-GiovanniDiDomenico.jpg)
ローマ出身のGiovanni Di Domenicoは常に旅をしながら音楽を演奏してきた。Arve Henriksen、坂田明やJim O’Rourkeなどを始めとして様々なジャンル(モダンジャズ、即興、エクスペリメンタルポップ)の音楽に関わってきた。今回の来日でも極上の音楽を届けてくれる事であろう。
[Giovanni di Domenico official ](http://giovannididomenico.com/)

石橋英子
![/sdlx/170612-eiko.jpg](/sdlx/170612-eiko.jpg)
茂原市出身の音楽家。いくつかのバンドで活動後、映画音楽の制作をきっかけとしてソロとしての作品を作り始める。その後、6枚のソロアルバムをリリース。4th Album「imitation of life」、そして2014年リリースの最新作「car and
freezer」は米インディレーベル「Drag City」から全世界発売。ピアノをメインとしながらドラム、フルート、ヴィブラフォン等も演奏するマルチ・プレイヤー。シンガー・ソングライターであり、セッション・プレイヤー、プロデューサーと、石橋英子の肩書きでジャンルやフィールドを越え、漂いながら活動中。最近では演劇や映画の音楽制作も手掛けている。2016年春にMerzbowとのDUO作品を電子音楽レーベルEditions Megoからリリースした。
[石橋英子 Homepage](http://www.eikoishibashi.net/)

Joe Talia(ドラムス)
![/sdlx/161104-talia.jpg](/sdlx/161104-talia.jpg)
オーストラリア・メルボルン在住のドラマー/コンポーザー/プロデューサー/サウンドエンジニア。もともとコンテンポラリージャズ/インプロビゼーション界のドラマーとして評価を得ていた彼は、Andrea Keller Quartet、Oren Ambarchiとのデュオなど数多くのプロジェクトに参加しているが、近年はそれと平行して、ソロやJames Rushfordとのデュオ、またNed Collette、Francis Plagne、Yuko Konoなどアウトサイダーシンガーソングライターのドラマーとして、幅広く活動している。スタジオエンジニアとしては、NAZORANAI(Oren Ambarchi・Stephen O’Malley・灰野敬二)、灰野敬二・Jim O’Rourke・Oren Ambarchiトリオ、Richard Pinhasなどのアルバムのミックスの他、オーストラリアを中心とした様々なミュージシャンのアルバムのプロデュース・録音・ミックス・マスタリングを手がけている。
[www.joetalia.com](http://www.joetalia.com)

Live: Keiji Haino Giovanni Di Domenico Eiko Ishibashi Joe Talia Keiji Haino ![/sdlx/161120-Keiji-Haino.jpg](/sdlx/161120-Keiji-Haino.jpg) Born in Chiba on May 3, 1952. Inspired by Antonin Artaud he aimed for the theatre, but an encounter with The Doors stimulated him into music, where he has examined and absorbed a wide range of music from the early blues especially Blind Lemon Jefferson or European medieval music to popular songs across the world. In 1970 he joined a group “Lost Aaraaf” named after Edgar Allan Poe’s poem as a vocalist. Meanwhile, he started to work on home recordings and self-taught the guitar and percussions. In 1978 he formed a rock band “Fushitsusha,” and since 1988, after a recuperation period from 1983 to 1987, he has been internationally active in various forms including solo, groups such as Fushitsusha, Nijiumu, Aihiyo, Vajra, Sanhedrin, Seijaku, Nazoranai or The Hardy Rocks and DJ as “experimental mixture,” as well as collaborations with artists from different backgrounds, drawing the performance of the guitar, percussions, the hurdy gurdy, diverse wind and string instruments, local instruments from across the world and DJ gears to the extreme through unique techniques. He has released more than 170 recordings and performed live at least 1,500 times. [Keiji Haino official website](http://www.fushitsusha.com) [An Unofficial Keiji Haino Homepage](http://poisonpie.com/sounds/haino/) [Keiji Haino / Jim O'Rourke / Oren Ambarchi album preview](https://soundcloud.com/experimedia/keiji-haino-jim-orourke-oren-1) Giovanni Di Domenico ![/sdlx/121112-GiovanniDiDomenico.jpg](/sdlx/121112-GiovanniDiDomenico.jpg) Giovanni Di Domenico, pianist, performer, composer, was born in Rome on the 20th July 1977, a significantly tempestuous period in socio-political terms, featuring hostile polarizations and an ostensive paramilitarism, mutinous ideological confrontations and bloody terrorist attacks, rendered infamous in the description ‘Years of Lead’. In that particularly caustic summer, the so-called ‘Movement of 1977’, non-aligned, without any ties to the Parliament and non-violent, broke into the scene of prevalent conspiracy-steeped paranoia condemning the repressive, discriminatory and authoritarian tendencies of the Italian State and demanding equality for minorities and further civil rights. The coinciding liberalization of the media market, putting an end to RAI’s monopoly, further defined this period as the prime moment for pirate radio, with the consequence of a libertarian fragmentation of youth culture, epitomised by punk. One could argue that Giovanni, self-taught until the age of 24, inherited – in philosophy, politics and artistically – the most benign and affirmative traits of that period, diversifying his action in the context of a recently unified Europe, promoting improbable connections, exploring varied geographies, comfortably manoeuvring aesthetical fringes and making a commitment to live performance at its most liberating and engaging. Surprisingly, the path that lead him to that point had an unexpected detour: following his father’s consecutive assignments as a civil engineer he actually lived out his first decade in Africa – until he was five in Libya, from then until his eight anniversary in the Cameroons and until ten in Algeria. His far off native country was not synonymous with civil unrest as much as with opera, whose arias he would memorize with his siblings in order to practice the language and provide some family entertainment. The condition of expatriate had a strong influence in his education – he clearly remembers the calls of the muezzin, the sound of exotic musical instruments in local markets, the ritualistic expression music took in the streets of Yaoundé, or the songs he heard from his nanny in the Cameroons. When he finally enrolled in music school – majoring in ‘jazz piano’- he further built on an encyclopaedic technique; rhythm, harmony and tone are informed by non-western traditions yet equally sensitive to Debussy’s “Préludes”, Luciano Berio’s “Sequenzas”, to the ‘ambi-ideation’ heard in Borah Bergman’s Soul Note recordings, Cecil Taylor’s polissemic density, Paul Bley’s bruised transparency and of course, the most radical manifestations stemming from the underworld of pop music, invariably tied together by his own original praxis. A distinction – one would call it generational – he shares with many of the musicians he has crossed paths with recently, of which we could enumerate Nate Wooley, Chris Corsano, Arve Henriksen, Jim O’Rourke, Akira Sakata, Alexandra Grimal, Tetuzi Akiyama, João Lobo or Toshimaru Nakamura. Di Domenico has founded his own label, Silent Water, home of an eclectic and occasionally unclassifiable production. He lives in Brussels. [Giovanni di Domenico official ](http://giovannididomenico.com/) Eiko Ishibashi ![/sdlx/170612-eiko.jpg](/sdlx/170612-eiko.jpg) Eiko Ishibashi is a session musician, producer, and singer song writer who is based in Japan. Though mainly playing the piano, she is a multi-instrumentalist who is also able to play the drums, flute, and vibraphone. In recent years, she has been performing over 100 shows annually, sharing the stage with many artists such as Jim O’Rourke, Keiji Haino, Akira Sakata, Charlemagne Palestine, Seiichi Yamamoto, Gasper Claus, Oren Ambarchi, Glenn Kotche, Darling Gray and Merzbow. She has also recently had 2 European tours and has performed in the Fuji Rock Festival. Eiko Ishibashi started her musical career as a drummer, performing in several bands. She started playing the piano a few years back, when she began to score music for films and work as a solo musician. Since then, she has released 2 solo albums and the album “slip beneath the distant tree” under the name of Eiko Ishibashi + Tatsuya Yoshida. Her 2nd album “drifting devil” which featured artist such as Seiichi Yamamoto, had created buzz being critically appraised by both critics and fellow musicians, and was selected for the years best album list in Japanese magazines. [Eiko Ishibashi Homepage](http://www.eikoishibashi.net/) Joe Talia (drums) ![/sdlx/161104-talia.jpg](/sdlx/161104-talia.jpg) Joe Talia is an Australian drummer, composer and record producer/engineer based in Tokyo. He first established his reputation as a drummer in contemporary jazz and improvised music fields in which he is now active as a member of the ARIA award winning Andrea Keller Quartet and in numerous collaborative projects, including a long-term duo with Oren Ambarchi. In the last few years a great deal of his work as a drummer has taken place alongside outsider singer-songwriters (such as Ned Collette, Yuko Kono and Francis Plagne), in groups which synthesize his adventurous, exploratory drumming with the demands of song form. His longstanding musical partnership with Ned Collette has resulted in four records, on which Talia acts as both drummer and producer/engineer, most recently Networking in Purgatory (Bronze Rat 2013). In addition to the collaborations above he has performed, recorded and toured with Jim O'Rourke, Anthony Pateras, Richard Pinhas, John Duncan, Brous, Mary Halvorson, The Australian Art Orchestra, Thembi Soddell, Anthea Caddy, Sean Baxter, Robbie Avenaim, David Shea, Marco Fusinato, Rand and Holland, Adam Simmons, Magic Mountain Band, among others. [www.joetalia.com](http://www.joetalia.com)

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